“Genuinely creepy.”

John Gilks, Opera Ramblings, December 2017
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“a Canadian answer to Sondheim’s Assassins”

Greg Finney, Schmopera, November 2017
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“Tsang’s dialogue was peppy and laden with innuendo.”

Greg Finney, Schompera, November 2017
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“This piece got my attention.”

Greg Finney, Schmopera, November 2017
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